Henriette lives alone in a luxurious old apartment in Wiesbaden, which she inherited from her parents. Her everyday life is as quiet and orderly as the large rooms around her. She works as a teacher at a nearby ballet school. She regularly writes letters to a composer whom she admires but has never met in person and spends her evenings with friends who are actually her parents' friends. A chance encounter jolts Henriette out of her quiet life: she observes Felix, who is deaf and mute, stealing money in a café that was meant for the waiter. When she speaks to him on the train shortly afterwards, it is the beginning of an unusual relationship full of contrasts and unspoken passion.

At the end of the 1950s, some filmmakers attempted to escape the ideological dictates by turning to psychological drama. We watch as an aging, uptight, strict woman who has come to inspect a regional publishing house literally blossoms and snows. A few days of comfort and happiness, however, are capped by a bitter epiphany: the man who had so charmed her has indeed embezzled the money entrusted to him.

Gilbert Saroni impersonates an exceedingly ugly woman who coyly flirts with her fan.

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The famous character of Carnival Night, Seraphim Ogurtsov, has been appointed director of the culture and recreation park. His energetic activities would once again lead to disastrous results, but fortunately, the governor of Ocean Island, Mr. Fantebras, appears on the horizon.

Fedor Fedorovich and Avdotya Nikitishna lived together for fifty years, raised four children, but never found the time to formalize their relationship and get a marriage certificate like everyone else. It was only when Fedor Fedorovich went to the village council to arrange documents for his pension that it became clear that among all the papers, there was no marriage certificate.

An old maid is walking about the studio while the photographer is getting his camera ready. She first looks at a hanger, which immediately falls from the wall, not being able to stand her gaze. Then she looks at the clock, and her face causes it to fall to the floor with a crash. She then walks over to the mirror, which suddenly cracks in several places. The photographer then poses her. Just as he is to press the button the camera explodes with a great puff of smoke, completely destroying the camera and demolishing the studio. The picture finishes up with the old maid tipping back in her chair and losing her balance, displaying a large quantity of fancy lace goods. Cross-dressed Gilbert Saroni reprises the role of the old maid.

Ruth Etting sings "Ay, Ay, Ay" in this 1935 film with Mario Álvarez, along with other songs.

Tom and Jon are surprised when their strange Aunt Dahlia arrives to look after them while their parents are on vacation. Their surprise turns to shock, though, when they realize what she has in store for them.

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